Vyriausioji valstybinių paslapčių spaudoje saugojimo valdyba prie Lietuvos TSR Ministrų Tarybos buvo pagrindinė cenzūrą atliekanti institucija sovietinėje Lietuvoje. Kolekcija apima nemažai dokumentų, kurie parodo sovietmečio kultūros darbuotojų patiriamą cenzūrą bei atskleidžia leidžiamas/draudžiamas ribas, kurios susiję su modernizmu bei kultūriniu Lietuvos paveldu.
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Vilnius O. Milašiaus gatvė 21, Lithuania 10102
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The collection of books on Goli Otok is kept in the library of the Serbian Academy of Sciences and Arts (SANU) and is the most significant collection dedicated to this topic. The collection was created through the activities of the Yugoslav and Serbian writer and dissident, Dragoslav Mihailović, who himself served a sentence of fifteen months on the Goli Otok (1951–52). The collection is held in the SANU library as a separate resource and is accessible to researchers.
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The Goma Movement Ad-Hoc Collection at CNSAS reflects the activity of an ephemeral collective protest for human rights, which emerged under the influence of Charter 77, gathered rapidly about the same number of supporters, but unlike its model, succumbed only a few months later. It bears the name of the main proponent of this movement because this corresponds not only to its canonisation in post-1989 historical writings, but also to the pre-1989 interpretation of the secret police, which focused on identifying the network linking Goma to the other supporters and collecting complex data about all these individuals.
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București Strada Matei Basarab 55, Romania 030167
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The photo archive of Goran Pavelić Pipo contains over 15,000 negatives. The photographs are mainly black and white, and on them Pavelić recorded rock concerts and everyday life around the popular Zagreb cafés Zvečka, Blato and Kavkaz in the period from the late 1970s to the late 1980s, also known as the new wave era. His photographs were conceptually and aesthetically opposed to the photographs in the then official press, such as Večernji list, Vjesnik or Borba, and thus represented a kind of cultural opposition. The Pavelić Photo Archive is extremely important to an understanding the phenomenon of the new wave and the contemporary urban scene in socialist Zagreb.
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Gordana Vnuk's personal collection contains published and documentary materials about the festival of new theatre Eurokaz, the theatre company Coccolemocco, the international theatre festivals Young People’s Theatre Days and Young People’s Theatre Days of Dubrovnik and the The Society of Amateurs in Culture and Arts Vinko Jeđut at which premises the company was working for some time under the pretext of being its theatre section. Coccolemocco, as a part of independent cultural scene, introduced new elements to the performing arts and a new type of theatre into Croatian and Yugoslav society. Through their selection of themes, the young theatre zealots inaugurated and discussed issues pertaining to Yugoslav leftist practices, relying on the utopian ardour of their generation who chose theatre as a possible mode of responsible and open action along the lines of Brecht and his dialectical method. Such an attitude ultimately lead to negative criticisms from a part of the professional mainstream community.
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