The Theater in ‘der Wende’ collection preserved by the Academy of Arts in Berlin documents changes in theatres in the former GDR as well as in cultural politics, covering the period from the autumn of 1989 until mid 1990s. The collection includes twelve theatres from the GDR, but it focuses mostly on (East and West) Berlin and Brandenburg, and three newly emerged theatres, in the context of the fall of the Berlin Wall and German reunification. The timeframe includes the transformation period initiated in some theatres prior to 1989 until their dissolution or those that completed their transformation at the beginning of 1990s. The materials were selected to showcase the uniqueness of the changes that affected theatres, an institution which was directly monitored by the surveillance mechanisms of the regime.
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The Theatre Association „Gardzienice” – the Centre for Theatre Practices was founded as a theatre and a performance group by Włodzimierz Staniewski in a small village Gardzienice near Lublin (Poland) in 1977. Since then, it has become one of the best known examples of experimental theatre, linking musicality, music, performance and close relationship between the artists and the audience.
The Theatre, apart from producing new performances, is also very active in the field of artistic education – in 1997 it started the Academy of Theatre Practices, where students from different humanistic fields can develop their animation and performance skills.
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Lublin Grodzka 5A, Poland 20-400
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The Theatre Performance Documentation collection traces its roots back to the 1960s, to the work of the Academy of Arts (East Berlin) and the GDR Union of Theatre Producers. The aim of this process of documentation was the exchange of artistic experiences and work among theatre professionals. Apart from offering a differentiated look at theatre practitioners’ professional history and creative processes, the documentation also shows how contemporary society is mirrored in theatre productions. The collection is significant not only for providing valuable and unique documentation of the creative working processes in GDR theatres, it also captures shifting approaches towards the regime, in particular starting in the 1980s.
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10115 Berlin Robert-Koch-Platz 10 , Germany
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The "Matthias Domaschk" Thuringian Archive of Contemporary History is one of the most important "reappraisal archives" for documenting the history of opposition and nonviolent resistance in the GDR. The Archive is supported by a private association and holds the largest cache of documents and files relating to the GDR in Thuringia. The archive is named after Matthias Domaschk, who died under still-unsolved circumstances while being held in remand by the Ministry for State Security in 1981.
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Jena Camsdorfer Ufer 17, Germany 07749
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The collection of Art on the Streets in Poland 1962-2015 is a unique collection of photos documenting various manifestations of creative activities in public space from the last few decades. The creator of the collection, Tomasz Sikorski has accumulated an extensive photographic collection, which also includes photographs made available by other artists. The concept of "art on the streets" allows you to juxtapose self-employed graffiti and happenings, performances and installations created in the public space by avant-garde and neo-avant-garde since the 1960s.
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