alternatyvios švietimo formos
alternatyvūs gyvenimo būdai ir pasipriešinimas kasdienybėje
atsisakiusieji tarnauti kariuomenėje dėl įsitikinimų
avangardas, neo avangardas
cenzūra
demokratinė opozicija
disidentai partijoje
emigracija/egzilis
etninis judėjimas
filmas filosofinės/ teorinės srovės gamtos apsauga
jaunimo kultūrta kritinis mokslas liaudies kultūra
literatūra ir literatūros kritika
mažumų judėjimai
medijos menas
mokslinė kritika
moterų judėjimas muzika
nepriklausoma žurnalistika pogrindinė kultūra
populiarioji kultūra
religinė veikla
samizdatas sekimas
socialiniai judėjimai
studentų judėjimas
taikos judėjimas tautiniai judėjimai
tetras ir kitos scenos meno rūšys
totalitarinių/autoritarinių režimų represijas pergyvenę asmenys
vaizduojamasis menas
vizualieji menai
žmogaus teisių judėjimas
artefaktai atmintini daiktai
audio įrašai
baldai
drabužiai
filmas
fotografijos
grafika
kitas kiti meno kūriniai
leidiniai
muzikiniai įrašai
paveikslai pilkoji literatūra rankraščiai
skulptūros taikomojo meno objektai
teisiniai ir/ar finansiniai dokumentai
video įrašai įranga
šaržai ir karikatūros
The Tamás Cseh Archive is an interdisciplinary collection focusing on the materials related to the life and oeuvre of the legendary singer. His songs authenthically capture the atmosphere of the era, the feelings, moods and problems faced by the members of a generation that came of age in the 1960s and early 1970s and had to confront the complexities of integrating into socialist society. The goal of the archive is to present its materials in context, adding to the documents with oral history recordings of Cseh‘s contemporaries.
Tamás Szőnyei worked as a music journalist in Budapest in the 1980s, and his poster collection documenting the underground music scene, especially new wave and punk, is one of the largest in Hungary. Posters were designed in a large part by the contemporary artists playing in the bands. This is a private collection that was digitized by Artpool Art Research Center, and the originals are regularly borrowed for thematic exhibitions in Hungary and elsewhere.
The collection is about the activities of the Dziekanka Students' Art Center and Dziekanka Workshop (Pracownia Dziekanka) in the years 1976-1987. Under these two names was the same place, an extraordinary interdisciplinary artistic and educational laboratory, combining the debuting students of Warsaw's art academies and outstanding artists from Poland and abroad. Around the studio, a unique milieu was created, combining post-Fluxus artists interested in new media and avant-garde theatre ventures, but also painters and sculptors of new expression or punk music bands. The years 1976-1987 is the most intense, though the heterogeneous period in the history of Dziekanka, filled with exhibitions, performances, shows, discussions and social life. During this time Tomasz Sikorski was an active participant in events at Dziekanka, and from 1979 he was the co-director of the institution. Owing to his constant presence and managerial function, Sikorski gathered an extensive collection of photos and other materials documenting the functioning of the initiative, going beyond the definitions of independent galleries.
The tramp song, like other forms of art, is an integral part of the tramp subculture, faithfully capturing its character. The present collection includes tramp song lyrics collected between 1980 and 2017, some of which may date from even before 1980. Dozens of tramp songs are recorded in songbooks, on tapes, CDs, and DVDs and represented here.
Trasa W-Z Archive includes over 900 hours of Polish rock recording from the 1980s, with predominance of punk bands performing on the famous Jarocin festival. It also contains photographs, fanzines, leaflets, and posters. Thanks to the activities of its owner (Robert Jarosz), the collection reaches wider public through exhibitions, books and record releases.