Gordana Vnuk's personal collection contains published and documentary materials about the festival of new theatre Eurokaz, the theatre company Coccolemocco, the international theatre festivals Young People’s Theatre Days and Young People’s Theatre Days of Dubrovnik and the The Society of Amateurs in Culture and Arts Vinko Jeđut at which premises the company was working for some time under the pretext of being its theatre section. Coccolemocco, as a part of independent cultural scene, introduced new elements to the performing arts and a new type of theatre into Croatian and Yugoslav society. Through their selection of themes, the young theatre zealots inaugurated and discussed issues pertaining to Yugoslav leftist practices, relying on the utopian ardour of their generation who chose theatre as a possible mode of responsible and open action along the lines of Brecht and his dialectical method. Such an attitude ultimately lead to negative criticisms from a part of the professional mainstream community.
-
Vieta:
-
Temos:
-
Įkūrimo data:
-
Charakteringi eksponatai:
Heiner Müller was one of the most important German dramatists of the 20th century. After his drama
Die Umsiedlerin (
The Resettler Woman) was censored in 1961, following a single performance, many of his plays prohibited in the GDR were staged in the West. The core of the constantly expanding Heiner-Müller-Archiv / Transitraum is Müller's personal library. While Müller's manuscripts are kept at the Academy of Arts, his library constitutes a separate collection run by the Institute for German Literature at the Humboldt-University of Berlin.
-
Vieta:
-
Berlin Dorotheenstraße 24, Germany 10117
-
Temos:
-
Įkūrimo data:
-
Charakteringi eksponatai:
The collection of photographs by Croatian conceptual artist Tomislav Gotovac presents four performances (Reading the Newspapers, Listening to the Radio, Watching Television and Telephoning) from the 1980 and 1981 in which the artist awaited the death of Yugoslavian President Josip Broz Tito, thus underscoring the social and media psychosis of that moment. The work used a subversive strategy by which the artist indirectly drew the public and socialist regime into the performance, leaving them to think: what is the artist showing?
-
Vieta:
-
Zagreb Avenija Dubrovnik 17, Croatia 10000
-
Temos:
-
Įkūrimo data:
-
Charakteringi eksponatai:
The István Darkó Legacy – Péter Egyed Private Collection, beside the documentary material of unconventional childhood activity and the sole appreciable Transylvanian Hungarian radio play of the Romanian communist regime, contains writings that – in form of fantastic stories, evading the censorship of the time – made possible the representation of an “Other“ world completely different from the Party ideology.
-
Vieta:
-
Cluj-Napoca 7, Romania 400000
-
Temos:
-
Įkūrimo data:
-
Charakteringi eksponatai:
Avantgarde fashion designer Tamás Király’s legacy, which criticized the uniformity and mediocrity of the contemporary cultural canon, represents an important, unique counter-cultural creation of the late socialist period. Furthermore, it is an important source for an understanding of a crucial counter-cultural attitude: conscious reflection on absence.
-
Vieta:
-
Temos:
-
Įkūrimo data:
-
Charakteringi eksponatai: