Lazar Stojanović (1944-2017), film director, journalist and intellectual, was one of the most famous cultural dissidents of socialist Yugoslavia. His film “Plastic Jesus” (1971) was declared as anti-communist and anti-state propaganda and led to Stojanović’s three year imprisonment. The collection represents Stojanović’s personal compilation gathered over the previous decades and consists of books, newspapers, posters, catalogues and video materials/films.
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Lexoviny is a collection of cartoon comics by the Slovak tramp artist Lexo. It was released in several volumes by the Tramp association Severka [Trampské združenie Severka].
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Liget Gallery is a small non-profit gallery operated by the Cultural House of the 14th district of Budapest. Since its founding in 1983, it has arranged approximately 450 exhibitions and events in the gallery and elsewhere. In the 1980s, it started to present solo shows of works by radical artists from the region and exhibit new tendencies within the local scene. The archive documents these activities.
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Budapest Ajtósi Dürer sor 5, Hungary 1146
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The Kropyvnytskyi archive is a private collection of documents related to the activities of the Kyiv Art Institute in the second half of the 1920s. The institute's rector, Ivan Vrona, appointed Marian Kropyvnytskyi an assistant for the research office of the experimental visual arts, headed by the avant-garde painter Kazimir Malevich. Kropyvnytskyi served as Malevich's personal assistant in 1928-1930. The archive contains minutes of meetings, Kropyvnytskyi's notes of Malevich's lectures, and copies of Malevich's unpublished lectures. Since the archive of the Institute was destroyed, the Kropyvnytskyi collection is probably the only collection that contains documents about the Institute's history in the interwar period.
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Kyiv Khreschatyk Street 15, Ukraine
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The Mihai Stănescu collection illustrates the portfolio of the most corrosive critic of the communist regime in Romania to come from the community of cartoonists. In the last decades of the Romanian communist regime, cartoons were an efficient weapon of social and political criticism, and Mihai Stănescu was one of the most daring and most well-known exponents of this type of critical discourse.
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București Bulevardul Mihail Kogălniceanu 36-46, Romania 050107
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