"Report by Ivan Stoyanov Yankulov, Head of Division 01, Section 06 – State Security", Sofia, 30 January 1984, to the Minister of the Interior.
The officer reports about the strengthening of "negative tendencies" to be observed lately among the intelligentsia. These are said to be due the stepped-up afforts of the "enemy" as well as the activities of "hostile elements" inside the country. The report also detailed the problems of the state security's work among the artistic intelligentsia because of their distrust, of their closed way of life or of their high professional or social status. Therefore, it is suggested, the development and monitoring of this category of persons should be carried out by technical means. The document, thus, indicates growing resentment of the regime by the intelligentsia and shows the ways, how the statet security evaluated the effectiveness of its own work.
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Bulgaria, 1000 Sofia, ul. Vrabcha 1
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Užrašų knyga su Meilės Lukšienės užrašais iš Lietuvių literatūros katedros susirinkimų (1957-1958 m.). Šie užrašai atskleidžia tuo metu katedroje vykusias diskusijas, partinių ir vyriausybinių institucijų atstovų apsilankymus juose. Pavyzdžiui, viename įraše matyti diskusiją apie liberalizmą, kaip vertinti buržuazinį demokratinį judėjimą, kaip reikėtų žiūrėti į Vincą Kudirką ar Joną Mačiulį-Maironį. Posėdyje dalyvavę sovietiniai ideologai Romas Šarmaitis (1909-1995) ir Juozas Žiugžda (1893-1979) išdėstė neigiamą požiūrį į šiuos veikėjus.
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Vilnius Žygimantų gatvė 1, Lithuania 01143
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On 17 January 1988, around the periphery of the traditional march commemorating Rosa Luxemburg and Karl Liebknecht, which had long since become a mere ritual, a group of protestors unfurled a banner with the famous words of Luxemburg “Freedom is always and exclusively freedom for the one who think differently.” They, along with many other protestors were arrested at the end of the demonstration, with some being forcibly extradited from the GDR against their will. This measure and its consequences are a key element in the prehistory of the “Wende” of 1989. Owing to the lack of publicity, little was known about the events or the protests and solidarity demonstrations which followed it.
As a result, the so-called “Telephone Contact group” was created in Berlin. They distributed their number across the GDR via the structures of the church. Similar to an autonomous investigation committee, the group gathered information on the reactions (and mood) in the country. The notes which have been preserved here pinpoint where and when demonstrations and other acts of solidarity with the “Luxemburg-Liebknecht demonstrators” could be found. Marianne Birthler, who would later go on to become the Federal Commissioner for the Documents of the State Security Service of the former GDR, also belonged to the “Telephone Contact Group” and passed this on to the Robert-Havemann Society.
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10437 Berlin Schliemannstraße 23 , Germany
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This essay is an integral part of the Dinko Tomašić collection. He also used it in his sociological research. Nowotny's account of journalism under communism criticizes the actions of the authorities which eviscerated journalism all professional criteria. Nowotny, as a former member of the counter-intelligence service, emphasized in the introduction to the essay that there were very few journalists in Yugoslavia before the war and revolution devoted to “advanced ideas” or communist ideology. As a result of emigration, and because many journalists were killed or jailed, while others were fired because of their “petit-bourgeois attitudes,” professional journalism virtually disappeared during the course of revolutionary events.
Those few remaining journalists who were even loyal to the communist government were under constant and strict control by the authorities and had to exercise self-censorship out of fear, so that in any new journalism after the revolution, any criticism of both political authority and the state was entirely excluded from society. Nowotny cited the case of cartoonist Andrija Maurović, who joined the Partisans in 1943. After the war, he refused to join the Party because of his disappointment with the regime. He personally confided to the author of this essay that he was thinking about leaving the country due to “false socialist policies.” Although Maurović propagated the Partisan communist movement very much, in the late 1940s he came under regime criticism because his artistic work demonstrated “non-socialist” tendencies.
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