alternatyvios švietimo formos
alternatyvūs gyvenimo būdai ir pasipriešinimas kasdienybėje
atsisakiusieji tarnauti kariuomenėje dėl įsitikinimų
avangardas, neo avangardas
cenzūra
demokratinė opozicija
disidentai partijoje
emigracija/egzilis
etninis judėjimas
filmas filosofinės/ teorinės srovės gamtos apsauga
jaunimo kultūrta kritinis mokslas liaudies kultūra
literatūra ir literatūros kritika
mažumų judėjimai
medijos menas
mokslinė kritika
moterų judėjimas muzika
nepriklausoma žurnalistika pogrindinė kultūra
populiarioji kultūra
religinė veikla
samizdatas sekimas
socialiniai judėjimai
studentų judėjimas
taikos judėjimas tautiniai judėjimai
tetras ir kitos scenos meno rūšys
totalitarinių/autoritarinių režimų represijas pergyvenę asmenys
vaizduojamasis menas
vizualieji menai
žmogaus teisių judėjimas
artefaktai atmintini daiktai
audio įrašai
baldai
drabužiai
filmas
fotografijos
grafika
kitas kiti meno kūriniai
leidiniai
muzikiniai įrašai
paveikslai pilkoji literatūra rankraščiai
skulptūros taikomojo meno objektai
teisiniai ir/ar finansiniai dokumentai
video įrašai įranga
šaržai ir karikatūros
The Nelu Stratone collection is one of the most impressive collections of rock, jazz, and folk records created in communist Romania, as a result of the happy combination between its owner’s exceptional passion for alternative music and his ability to acquire records that were not imported officially. The collection is important not only for its size, but even more for the significant number of albums of Western provenance, which were unavailable in shops in Romania but could nevertheless be obtained due to the existence of an alternative market for such products. The creation and preservation of such a collection were activities regarded with suspicion by the communist authorities in Romania, because they proved the younger generation’s fascination with Western cultural products, in contravention of the spirit of Nicolae Ceauşescu’s Theses of July 1971.
The No Art Collection is a part of the Anti-Museum founded by Vladimir Dodig Trokut. It consists of characteristic avant-garde and post-avant-garde artefacts. The Anti-Museum’s No Art Collection was established during the many years of Trokut’s activity as a member of the informal cultural opposition, which was supported by prominent individuals and public personalities, such as artists and politicians like Koča Popović and Jure Kaštelan.
Ferenc Bodor’s Nomad Dossiers is a collection representing a unique component of cultural opposition in Eastern Europe: materials related to ethno-folk revival and its Hungarian manifestation, the so-called “dance-house movement”. This collection also contains material regarding the Studio of Young Folk Artists, which was formed in the 1970s. Communist authorities considered the movement to be suspicious. They feared that it might increase nationalism among young people and, furthermore, that it might generate a powerful rival to the official youth organization.