Justas Paleckis (1899-1980) buvo Lietuvos žurnalistas ir politikas. Sovietų sąjūngai okupavus Lietuvą, jis buvo laikinasis okupuotos Lietuvos prezidentas. Iki 1967 metų Justas Paleckis ėjo LTSR Aukščiausios Tarybos prezidiumo pirmininko pareigas.
Užimdamas svarbią poziciją LTSR, jis sankcionavo masines Lietuvos gyventojų deportacijas, per kurias buvo ištremtas ir buvęs ministras pirmininkas Antanas Merkys bei buvęs užsienio reikalų ministras Juozas Urbšys.
Savo veikloje Justas Paleckis glaudžiai bendradarbiavo su NKVD rezidentais Lietuvoje.
Gintarė Paškevičiūtė-Breivienė yra gydytoja, Aldonos Liobytės dukra. Privačioje jos kolekcijoje esama Liobytės laiškų, rankraščių ir fotografijų. Dalis šios medžiagos yra jau publikuota knygoje
Aldona Liobytė (1915–1985). Korespondencijos fragmentai (Aldona Liobytė [1915-1985], 2015. Paškevičiūtė-Breivienė yra viena iš šios knygos sudarytojų.
Danutė Petkevičiūtė – Labanauskienė žinoma lietuvių kultūros ir literatūros tyrinėtoja. (Ji parašė monografiją apie Lauryną Ivinskį, pirmojo lietuviško kalendoriaus autorių. Knyga buvo publikuota 1988 m.) 1941 m. Petkevičiūtė kartu su tėvais buvo deportuota iš Lietuvos. 1947 m. iš tremties grįžo. 1958 m. baigė Vilniaus universitetą ir iškart po baigimo įsidarbino Mokslų Akademijos rankraštyne. Petkevičaitė sutvarkė ir aprašė Ivinskio dokumentų kolekciją. 2000 m. Lietuvos istorijos metraštyje ji publikavo straipsnį apie Ivinskio kolekciją.
Zdeněk Palcr was a Czech sculptor, restorer and art theoretician. He graduated from the Academy of Applied Arts in Prague (1945-1950). After his studies and his compulsory military service he worked as a restorer. He was a member of the Máj 57 (May 57) group, which was inspired by Czech and international modernist traditions. Palcr exhibited his work at all of the group exhibitions until 1964. He also participated in several international symposia and exhibitions. His first solo exhibition was at the New Hall Gallery in Prague in 1970. He also designed film posters. Creating sculptures became a spiritual matter for Palcr, which was why he refused to exhibit his work and why he did not want to make a living through sculpture. From the 1970s he looked at formulation in art theory – his writings were then published in the 1990s.
Jiří Pallas studied technics and, after emigrating, also system engineering. Between 1972 and 1978, he was one of organisers of folk concerts of songwriters within the association “Šafrán” until its elimination by the State Security (StB) at the end of the 1970s. Vladimír Merta, Vlastimil Třešňák, Dagmar Andrtová-Voňková or Jaroslav Hutka were also members of the association. Pallas and his wife were some of the first signatories to Charter 77 in 1976 and were forced to leave Czechoslovakia in 1977, due to StB’s operation “Asanace”. After his emigration to Sweden, Pallas founded and run the record label “Šafrán 78” between 1979 and 1985. It released LPs by singers and groups banned in Czechoslovakia, as well as well-known recording of Havel’s play “Audience” with actor Pavel Landovský. Pallas was also politically active in exile; he collaborated with “Výbor 21. srpna”, an organisation, activities of which focused on backing resistance against the occupation of Czechoslovakia in 1968 and where the initiative for creating “Fond na podporu Charty 77” (Støttefondet for Charter 77) started.
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Vieta:
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Praha, Prague, Czech Republic
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Uppsala, Sweden