The video periodical Black Box was the first independent film production studio during the last years of communist rule in Hungary. It reported on demonstrations and civilian initiatives that the official media passed over in silence or reported on with disinformation. With its film reports, and portraits distributed in samizdat channels, at the beginning Black Box managed to create the largest film collection documenting the events of the transitional period and the change of political system both in Hungary and in other communist countries.

In 2011, the Madona Museum of Local History and Art organized the exhibition ‘Elza Rudenāja - 100’, which paid tribute to the creator and first director of the museum. Photographs from this exhibition and an introductory text are displayed on the site of the museum: http://www.madonasmuzejs.lv/par-muzeju/elza-ruden%C4%81ja/elzai-ruden%C4%81jai---100

In the autumn 2011, veteran legionnaire and military historian Dr. Tibor Szecskó was the first to return his questionnaire of 50 questions, covering his whole life career. As the main organizer of the Hungarian veterans’ circle in Provence, he was the also one who managed to get many of his comrades involved in their shared memory research work (questionnaires, oral history interviews, memoirs, film shootings, archival research at the Headquarters of the French Foreign Legion in Aubagne, etc.)

He was born in 1939 in the rural town of Gyöngyös, Hungary, as the third and youngest child of a working-class family. His father was a mason working for a state farm. As a second-year student of a vocational school in the autumn of 1956, he took part enthusiastically in local events of the revolution. Together with a friend, they then hitched a ride with a lorry and travelled to Budapest, where they joined the largest group of insurgents at Corvin-köz, and took part in the battles in several parts of the city. In late November, without saying goodbye to his family, he escaped to Austria with other teenage boys. For a few weeks he stayed in the Eisenstadt refugee camp, then he was transported to France and given the status of “réfugier politique.”

As soon as he arrived in the city of Rouen, he signed up at the Legion’s recruitment office, but being only 16 years old, he was rejected. For two years he shared all the misery of the tramps in Lille and Paris, sleeping in the “Draft Hotel” (Hôtel de Curant Air) under bridges, living off of aid for refugees and poorly paid, sporadic work. Hunger and misery pushed him to try his fortune again with the Legion in the autumn of 1958, this time with much success. He was shipped as an 18-year-old recruit from Marseille to Oran, and soon found himself on the military training base of Saida. Another two years passed, and he was promoted to sergeant at the age of 20, and became the training warrant of hundreds of young Hungarian recruits arriving at that time in North Africa. Afterward, as a warrant of the 3^rd Infantry Regiment, he also took part in the offensives in the Sahara and Madagascar, was injured twice, and then was commanded to the 1st Cavalry (Warship) Regiment.

After the Algerian war ended in 1962, the main base of the Legion was moved from Sidi-bel-Abbes to the town of Aubagne, South of France, and Szecskó held his new post here at the Headquarters of the Legion. In the 1970s and 1980s, he became the Director of the Museum and the Archives of the French Foreign Legion, and edited its monthly magazine Képi blanc. In the meantime, he received his MA and then PhD degree in history from the University of Montpelier. He finished his military career in 1986 after close to 29 years of service in the Legion; however, he kept active in his field of science and in organizing circles of veteran legionnaires (AALE). He published a number of articles and a dozen books on the history of French Foreign Legion in French, English, and German.

Before 1990, based on rumors fostered by the communist secret police, he, together with his fellow patriots, thought for decades that all active legionnaires had been deprived of their Hungarian citizenship. He became a French citizen in 1974, and lived together with his Spanish-French wife, children, and grandchildren in Aix-en-Provence for half a century. Among his many prizes and decorations, he was most proud of the “Knight of Arts and Literature,” a prestigious French prize established for civilians, that no active military man ever received, except him. Though he felt all through his life a strong homesickness, and managed to preserve his traditional Hungarian patriotism, he never had the chance to return to Hungary after 1956—for a long time due to his political anathema, and then his poor state of health. He passed in Aix-en-Provence in late 2017 following years of struggle with his fatal illness. His parting was not only a painful loss to his family but also to his friends and the Hungarian circle of veteran legionnaires in Provence, of which he had been a devoted organizer for decades.

His straightforward, and emotive answers to his questionnaire lay bare his life career and frame of mind. He also reflected on his feelings toward his native land, the Legion, and his host country. Though his loyalty to the former two seems to remain firm, similarly to his stubborn anticommunism rooted in his early life experience of 1956, he felt much more reserved and often critical of the French public affairs and way of life, as both are lacking  “the real” patriotic loyalty and altruism. Thus, keeping alive the regular meetings and traditional community rituals, with their strong 1956 engagement, served to strengthen the Hungarian legionnaires’ moral and cultural resistance.

List of completed veteran questionnaires, 2011–2017

(Place and date of birth, residence in France, and year of completion)

  1. A., Domokos (Budapest, 1939) Paris, 2012

  2. Bubla, István Miklós (Keszthely, 1936) Paulhan, 2017

  3. Huber, Béla (Sopron, 1942) Aubagne, 2012

  4. Spátay, János (Budapest, 1943) Puyloubier, 2011

  5. Soós, Sándor (Budapest, 1939) Septémes les Vallons, 2012

  6. Sorbán, Gyula Elek (Budapest, 1940) Toulon, 2011

  7. Szecskó, Tibor (Gyöngyös, 1939) Aix-en-Provence 2017, 2011

  8. Morvay, Tamás (Budapest, 1938) Vins sur Caramy, 2012

  9. Nemes, Sándor (Szekszárd-Zomba, 1941) Borgo (Corsica), 2011

The exhibition “Black Whitsunday: The Deportations to the Bărăgan” was first opened at the Dimitrie Gusti National Village Museum, which hosted it in the period 25 March to 25 April 2011. The exhibition then travelled to Timișoara, Drobeta Turnu Severin, Sighet, Sibiu, Berlin, Sindelfingen, Munich, Augsburg, Tübingen, Budapest, and Cluj, before returning to Bucharest, to the Sighet Memorial’s Pemanent Exhibition Space in the Romanian capital. The exhibition’s twenty-eight panels presented themes relating to the forced removal from the Banat of all those who were suspected for various reasons of being adepts of Iosip Broz Tito. The panels relect the following themes: the international context of the Stalin–Tito split, the elaboration of the so-called “dislocation” plan, the compilation of “black lists,” the deportations to the Bărăgan, aspects of daily life in the new settlements – building houses, obtaining water and food, school, work in the fields, funerals – and the use of the area as a place to send released political prisoners into so-called “forced domicile.” The explanatory texts, complemented by hundreds of photographs, maps, and objects, are based on the personal testimonies of those directly involved, recorded and archived by the Civic Academy Foundation. The opening of the exhibition was also the occasion for the launch of an audio-book containing extracts from the recollections preserved in the Oral History Archive of the International Centre for Studies into Communism. The exhibition was part of the project “The Memory of the Romanian Deportations,” financed by the European Commission through the programme “Europe for Citizens: Active Memory of Europe.”