Miodrag Mica Popovic (1923-1996) was a painter, art critic, writer and academician. Popovic's lifestyle itself can be described as in cultural opposition to the regime and government that imposed its own ideological forms. Until the end of his life, he clearly demonstrated his incompatibility with the system, which let him stay faithful to the ideal of free thinking and expression. The images from the series the ‘Scenes Painting’ [Slikarstvo prizora] stem from the period between 1968 to 1971. Through that series the artist critized the social and political circumstances in socialist Yugoslavia.
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The modern collection of the Gallery of Szombathely eloquently exemplifies the complex relationship between official culture and the culture of dissent during the socialist period. The genealogy of the collection is inseparable from the conservation of the leftist counter-culture of the Horthy era, especially of the legacy of the left-wing painter Gyula Derkovits, who was born in Szombathely. The collection of artworks was based on the notion of “progress,” and it became increasingly intense in the 1970s, but it only partly followed the socialist canon. It also initiated the emergence of new and critical trends that were in opposition to the official culture politics.
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Szombathely Rákóczi Ferenc utca 12, Hungary 9700
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The Museum of Lies was founded by Reinhard Zabka, the Dadaist artist also known as Richard von Gigantikow, in 1990 during the political changes of the GDR. It came about by the private initiative of the artist, who was active in the non-conformist and avant-garde art scene during the GDR period. Its origins lie in an art house established by the artist during the GDR in Babe, in the state of Brandenburg. From its very beginning, the museum has been a non-conformist project that has aimed at breaking taboos of content just as those of institutions. After relocating to a rural area of Saxony, the art house was transformed into its current form of the Museum of Lies.
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The No Art Collection is a part of the Anti-Museum founded by Vladimir Dodig Trokut. It consists of characteristic avant-garde and post-avant-garde artefacts. The Anti-Museum’s No Art Collection was established during the many years of Trokut’s activity as a member of the informal cultural opposition, which was supported by prominent individuals and public personalities, such as artists and politicians like Koča Popović and Jure Kaštelan.
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Zagreb Ulica Nikole Tomašića, Croatia 10000
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The collection refers to
The Continuous Art Class, The Novi Sad Neo-Avantgarde of the 1960s and 1970s, an exhibition that took place in the Museum of Contemporary Arts Vojvodina in Novi Sad from 18 November to 3 December 2005. The exhibition was a part of a long-term project titled
The Continuous Art Class, a symbolic sequel to
Public Art Class, an action realized by active members of the Novi Sad conceptual art scene on the Danube Quay in Novi Sad in 1970.
The exhibition hosted artwork of different individuals and groups from that period, included video documentation and reference publications and was realized in wallpaper format. The members of New Media Center_kuda.org from Novi Sad curated the exhibition.
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