The János Baksa Soós Special Collection administers the acoustic, written and visual documents of János Baksa Soós’ oeuvre. Throughout his career (which began in Budapest and consummated in Berlin), Baksa Soós turned attitude into an artistic medium and acted in the spirit of conviviality. The goal of the collection, which is held in the Tamás Cseh Archive, is to present the works of the artist, who was active in several genres, in the context of the era and the effects of his attitude on his milieu.
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Budapest Úri utca 54, Hungary 1014
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“Kowalnia” is the popular name of professor Grzegorz Kowalski's Studio of Audiovisual Space at the Academy of Fine Arts in Warsaw. Kowalski, a creator of installations and performer, has been its leader since 1984, drawing from the modernist tradition in which he was educated, and the communal, countercultural experiences of his own artistic activity. The studio gained popularity in the 1990s as a forge of the stars of the art world and of some of the most controversial figures in Polish “critical art”. The archive, maintained by the Museum of Modern Art in Warsaw, includes photo and video documentation of the studio's activity, as well as its manifestos, exhibition catalogues and issues of a zine published by students.
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Warszawa Pańska 3, Poland
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The collection of 1,476 paintings in water-colours by Kurts Fridrihsons made during his imprisonment in the Gulag in 1951-1956 is only part of the 3,500 artworks he produced during his time in the Gulag. A part of works depict Gulag camp and its environments, but the most of them reflect associations with literature and drama, and are testimony of artist's effort to dissociate himself from atmosphere of the camp and to sustain his intellectual interests.
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LV-1050 Rīga Raiņa bulvāris 7 , Latvia
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KwieKulik is the name of an artistic duo formed by Zofia Kulik and Przemysław Kwiek. For twenty years they created performance, conceptual and process art, with politically engaged and critical undertones.
Simultaneously, since the late 1960s, they regularly documented the artistic life of Poland, focusing on ephemeral phenomena. Currently the KwieKulik Archive is an enormous set of visual and film materials, publications, and works of art. By Zofia Kulik’s effort it was converted into an archive-piece, a collection which itself became a work of art.
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Łomianki Pionierów 22, Poland 05-092
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The Kropyvnytskyi archive is a private collection of documents related to the activities of the Kyiv Art Institute in the second half of the 1920s. The institute's rector, Ivan Vrona, appointed Marian Kropyvnytskyi an assistant for the research office of the experimental visual arts, headed by the avant-garde painter Kazimir Malevich. Kropyvnytskyi served as Malevich's personal assistant in 1928-1930. The archive contains minutes of meetings, Kropyvnytskyi's notes of Malevich's lectures, and copies of Malevich's unpublished lectures. Since the archive of the Institute was destroyed, the Kropyvnytskyi collection is probably the only collection that contains documents about the Institute's history in the interwar period.
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Kyiv Khreschatyk Street 15, Ukraine
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