The collection is about the activities of the Dziekanka Students' Art Center and Dziekanka Workshop (Pracownia Dziekanka) in the years 1976-1987. Under these two names was the same place, an extraordinary interdisciplinary artistic and educational laboratory, combining the debuting students of Warsaw's art academies and outstanding artists from Poland and abroad. Around the studio, a unique milieu was created, combining post-Fluxus artists interested in new media and avant-garde theatre ventures, but also painters and sculptors of new expression or punk music bands. The years 1976-1987 is the most intense, though the heterogeneous period in the history of Dziekanka, filled with exhibitions, performances, shows, discussions and social life. During this time Tomasz Sikorski was an active participant in events at Dziekanka, and from 1979 he was the co-director of the institution. Owing to his constant presence and managerial function, Sikorski gathered an extensive collection of photos and other materials documenting the functioning of the initiative, going beyond the definitions of independent galleries.
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The tramp song, like other forms of art, is an integral part of the tramp subculture, faithfully capturing its character. The present collection includes tramp song lyrics collected between 1980 and 2017, some of which may date from even before 1980. Dozens of tramp songs are recorded in songbooks, on tapes, CDs, and DVDs and represented here.
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Trasa W-Z Archive includes over 900 hours of Polish rock recording from the 1980s, with predominance of punk bands performing on the famous Jarocin festival. It also contains photographs, fanzines, leaflets, and posters. Thanks to the activities of its owner (Robert Jarosz), the collection reaches wider public through exhibitions, books and record releases.
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A special music collection was created by two librarians in a public library in Budapest. This unique repository was established in the branch library of the Metropolitan Ervin Szabó Library (Fővárosi Szabó Ervin Könyvtár, FSZEK). The librarians maneuvered among the barriers of the regime and utilized a loophole which allowed them to copy music recordings. The collection consists of recordings of contemporary Western music and alternative Hungarian bands. The materials reflect the tastes of the librarians.
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Budapest Király utca 5, Hungary 1042
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The Velid Đekić collection covers beginning of rock and disco culture not only in Rijeka but also in the former Yugoslavia. While working on the books 91 decibels (2009) and Red! River! Rock! (2013), Đekić collected materials on many of Rijeka's bands that have existed from the late 1950s until the early 1980s, and on the places where young people gathered. That is why this collection testifies to the unique history of rock 'n' roll behind the Iron Curtain.
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