COURAGE

ryšiai tarp kolekcijų

Yulia Karadachka-Simeonova is the chief bibliographer and head of the bibliographic and information services department. With scientific interests in the field of history and art history, Y. Karadachka was involved in the creation of the collection "Only forbidden newspapers remain in history". Taking into account the variety of forms of opposition to the totalitarian regime, Karadachka stresses the difficulty, even impossibility to clearly distinguish political and cultural opposition. Newspapers and magazines of opposition parties, for example, such as the Bulgarian Agrarian People's Union “Nikola Petkov”, the Social Democratic Party and other parties banned by the communist regime played an important cultural role as well, criticizing the lack of basic civil liberties, the restrictions on freedom of expression.

There is not enough information for a biography on Iljko Karaman (1922-2010), as he was not a public figure. Nonetheless, he was a descendant of a distinguished Dalmatian Karaman family from Split, with a long tradition of intellectuals and lawyers. His father, Ljubo Karaman (1886-1971), was a prominent art historian and a conservator, while and his younger brother, Igor Karaman (1927-1995), a distinguished economic historian and archivist. Iljko obtained a law degree at the time of the Independent State of Croatia, and after WWII he worked as an investigator at the Public Prosecutor's Office in Zagreb. In the early 1970s, he became the Zagreb District Deputy Public Prosecutor (his personal note of 3 March 1992 contains his signature as the deputy public prosecutor).

The family friend Mrs Snježana Zima b. Znidarčić testifies that he was a member of the Catholic Crusaders Organisation (Križarska organizacija), which the communist regime began suppressing in 1945. He was also a close friend of the organisaion’s president, Dr Lav Znidarčić (1918-2001), a lawyer and political prisoner under communist rule whose private archive was organised by Karaman himself. Aside from his work, Karaman was active in the Zagreb Society for Underwater Sports, which was established in June 1954. He was the first secretary and later president of the society.

Iljko Karaman does not provide an explanation as to the reasons for collecting material in question. He apparently thought it was important to store the confiscated material is a safe place, but he does not explain the purpose of doing so. In the opinion of the mentioned Mrs Zima, he belonged to the intellectual and cultural school that had gathered around her father, Catholic lawyer Dr Lav Znidarčić, who opposed the regime and had decided to collect evidence against the communist system for future use. After the dissolution of Yugoslavia and the fall of the communist regime during the events of 1990-1991, the time had come to disclose the collection publicly and make it available for research.

László Kardos (1948–1999) a legal advisor, sociologist, an activist of SZETA, as well as director of Hungarian Soros Foundation.

He was born in Budapest in 1948. He completed his diploma as Doctor of Law at Loránd Eötvös University Budapest in 1972. JHe took a job as a state company solicitor and then as a legal advisor for the Social policy Department of the Ministry of Labour. He remained at his post in the hope that his department would be made a new Ministry of Public Welfare and that this would give him meaningful tasks in social policy design, but he was ultimately disappointed. In 1979, he volunteered as a secret legal advisor for SZETA, and in this position he helped hundreds of needy families, mainly in rural areas, from his ministry office. However, his clandestine activities were soon discovered and he had to leave his job.

Beginning in the early 1980s, he worked as a freelance intellectual, taking poorly paid sociological fieldwork, which for the most part meant doing interviews and making questionnaires to support his family. Given his legal expertise, he would have preferred to have worked as a research sociologist. In the early 1970s, he got in touch with István Kemény and Kemény’s young research team, and he took an active part in their nationwide pioneering research projects among the poor and the Roma in Hungary, and later also participated in many smaller research projects (for instance, involving the culture of labour, lifestyles, cooperatives, small villages, commuting workers, and other programs).

In 1984, thanks to some of his dissident contacts, he was offered a job as a secretary of the newly established Hungarian Soros Foundation. Later, from 1990 to 1994, he became the managing director of the Foundation. He was responsible for the administration of Hungary’s first and largest civil organisation, and he also actively initiated some new and successful programs. He did the preparatory work for most of the project plans and evaluations. During his last years of his life, he did an oral history interview with sociologist István Márkus for the 1956 Research Institute.

Olga Karlíková was an artist who graduated from the Prague College of Applied Arts after the war, where she studied with Antonín Strnadela and she studied textiels with Antonín Kybal, then worked as a textile designer in the state-owned Institute of Housing and Clothing Culture. She devoted herself to the abstract appearance of nature and was also interested in acoustics; she is best known for her works on the singing of birds and whales.

After 1977, when she signed Charter 77, she became an undesirable artist and her works disappeared from the public sphere. Karlikova was one of the first signatories to Charter 77. She found it through her niece, architect Helena Bukovanská. As she said in an interview with Marcela Pánková in 1995, "She was terribly relieved after the signing because she had been embarrassed by lying and resentment since childhood." (Fine Arts 3-4, 95) It was not until 1989 that she began to exhibit again and her work gained critical attention. She was exceptionally successful in exhibiting her work at the Monastery in Doksany in the 1980s, which was prepared by Ludvík Hlaváček.

Olga Karlíková is considered to be the first conceptual artist in Czechia.

Svatopluk Karásek is an evangelical pastor and signatory of Charter 77. He studied at the Comenius Evangelical Theological Faculty from 1964–1968. He then worked for three years as a pastor until 1971, when the state withdrew its permission to allow him to continue in his spiritual service. From 1972–1976 he worked as the caretaker at Houska Castle. In 1976 he was arrested and sentenced to eight months in prison in a trial along with the underground music group The Plastic People of the Universe. As a signatory of Charter 77, Karásek could not return to his original profession and worked mostly as a window cleaner. The turning point in his life came in 1980 when he was forced into exile. He settled in Switzerland, where he served again as a pastor from 1981. Since 1997 he has lived permanently in the Czech Republic, working as a clergyman. He was a member of parliament from 2002–2006 and the Government Commissioner for Human Rights from 2004–2006.

Karásek was also involved in musical and literary activities. His musical career began in the 1970s. His lyrics were published in samizdat volumes as well as in exile. Since 1989, his lyrics have been published officially. His literary works include the sermons Boží trouba (2000) and Tři kázání o Jonášovi (2007). Karásek’s musical and other works were influenced by his professional focus – his attempts to update the gospel and make the Biblical messages more relevant to today’s lifestyles. Karásek is connected to the underground through his provocative and sarcastic style, as well as naturalistic clarity.